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STRAIGHT FROM THE CUP: “As you know ladies & gentlemen …Coffee is without any doubt, an “American Idol”… “Choose your boogey beans”…

STRAIGHT FROM THE CUP: “As you know ladies & gentlemen …Coffee is without any doubt, an “American Idol”… “Choose your boogey beans”…
 
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Posted by on February 20, 2017 in coffee, Monday Madness

 

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“Counting Crows – Big Yellow Taxi ft. Vanessa Carlton”

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Big Yellow Taxi

” is a song written, composed, and originally recorded by

Joni Mitchell

in 1970, and originally released on her album Ladies of the Canyon. It was a hit in her native Canada (No. 14) as well as Australia (No. 6) and the UK (No. 11). It only reached No. 67 in the US in 1970, but was later a bigger hit there for her in a live version released in 1974, which peaked at No. 24. Charting versions have also been recorded by The Neighborhood (who had the original top US 40 hit with the track in 1970, peaking at No. 29), Maire Brennan, Amy Grant and

Counting Crows.

en.m.Wikipedia.com

 

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“Colombian Coffee, Bogota, Colombia” 

“Colombian Coffee, Bogota, Colombia” 

featured image:  http://steamykitchen.com


Coffees from the Americas : Colombia

Colombia is the paradox of the specialty coffee world. Its 100% Colombia campaign, featuring the ubiquitous Juan Valdez, is a model of successful coffee organization and marketing. Colombia remains the only premium single origin coffee able to compete successfully in the arena of canned supermarket blends. Although it ranks second to Brazil in total coffee production — with about 12 percent of the world’s total coffee production compared to Brazil’s 30 to 35 percent — most of Colombia’s 12 percent is excellent coffee, grown at high altitudes on small peasant holdings, carefully picked, and wet-processed. The Colombia Federation of Coffee Growers ranks among the world’s most thorough-going and successful efforts at organizing and supporting small-holder coffee farmers.

Nevertheless, for most specialty coffee aficionados and professionals Juan Valdez is Rodney Dangerfield’s Latin cousin. Colombias carry nowhere near the insider panache of the coffees of Kenya, Guatemala, even of Papua New Guinea and Zimbabwe. Colombia sells well in specialty stores only because it is the sole name on the menu that coffee neophytes recognize.

It would appear that Colombia’s remarkable success at producing large and consistent enough quantities of decent quality coffee to position it at the top of the commercial market has doomed it as an elite origin. The Colombia Coffee Federation has evolved a system wherein hundreds of thousands of small producers wet-process their coffee on or close to their farms, and deliver it to collection points and eventually to mills operated by the Federation, where the coffee is sorted and graded according to rigorous national standards. There is an inherent leveling effect in such an arrangement. One farmer’s wet processing and microclimate may be exceptional and another’s may be mediocre, but both end up mixed in the same vast sea of coffee bags in which the only discriminations are the broad ones imposed by grading criteria. The regional origins famous in the earlier part of the 20th century — names like Armenia, Manizales, Medellin — are now lost in a well-organized but faceless coffee machine.

read more:

http://www.coffeereview.com/coffee-reference/coffee-categories/geographic-origins/coffees-from-the-americas/colombia/


http://www.youtube.com/watch?v=lYv2M_Y2PBA&feature=youtube_gdata_player

 
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Posted by on February 20, 2017 in coffee, Monday Madness

 

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“John Mayer – Waiting on the World to Change” on YouTube

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“Waiting on the World to Change” is the first single released from John Mayer’s 2006 studio album, Continuum. The song enjoyed commercial success as a single and won the Grammy for Best Male Pop Vocal Performance at the 49th Grammy Awards.

en.m.Wikipedia.org

http://www.youtube.com/
watch?v=oBIxScJ5rlY&feature=youtube_gdata_player

 
 

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Natasha Bedingfield – Pocket full of Sunshine Lyrics

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“Pocketful of Sunshine”

is a song performed by British singer and songwriter Natasha Bedingfield, released as the second single from her second North American studio album, of the same name (2008). Bedingfield co-wrote the song together with American songwriter Danielle Brisebois and American musician and songwriter John Shanks; Shanks also produced the track as well as performing on most of the instruments present. Epic Records serviced the song to mainstream radios on 11 February 2008 in the United States. It received an international release in spring 2011 to promote the release of Strip Me Away (2011).

Bedingfield noted “Pocketful of Sunshine” as her favorite, stating that it centers on escaping from one’s troubles. It adapts dance-pop and adult contemporary styles, differing from her previous recordings. Lyrically, the song discusses escapism and finding a peaceful place in difficult situations. The message is amplified by the melancholic tone of the lyrics mixing with the exuberance displayed in Bedingfield’s voice. “Pocketful of Sunshine” was well received by contemporary music critics; the majority of them named it as one of the album’s highlights. Several critics also praised it as a bright and lively summer tune.

“Pocketful of Sunshine” experienced commercial success in North America, peaking at number five in the United States on the Billboard Hot 100. The song was certified double platinum by the Recording Industry Association of America (RIAA) and sold three million downloads, becoming her most successful single there. It also charted in Canada, peaking at #3 and receiving the platinum certification. It however did not replicate the success in North America as it charted moderately in several countries, reaching the top thirty in international territories.

The music video for

“Pocketful of Sunshine”

was released in spring 2008 and features Bedingfield escaping from a stressful situation and dancing on a roof with other background dancers. The video also portrays scenes of other people escaping their troubles, coming to Bedingfield for comfort. The single has been used widely in the media, being featured in movies and television series like Easy A, Degrassi: The Next Generation and The Ugly Truth.

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“Delaney & Bonnie – Only You Know And I Know”

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Delaney & Bonnie were an American musical duo composed of husband-and-wife singer/songwriters Delaney and Bonnie Bramlett. They also fronted a rock/soul ensemble called Delaney & Bonnie and Friends, whose members at different times included Duane Allman, Gregg Allman, George Harrison, Leon Russell, Bobby Whitlock, Dave Mason, Rita Coolidge, King Curtis, and Eric Clapton.

Career

Delaney Bramlett (July 1, 1939, Pontotoc County, Mississippi, United States – December 27, 2008, Los Angeles, California, United States) learned the guitar in his youth, and moved to Los Angeles in 1959.[1] He became a session musician; his most notable early work was as a member of the Shindogs, the house band for the ABC-TV series Shindig! (1964–66), which also featured guitarist/keyboardist Leon Russell.[2]

Bonnie Bramlett (née Bonnie Lynn O’Farrell, born November 8, 1944, Alton, Illinois, United States) was an accomplished singer at an early age, performing with blues guitarist Albert King at age 14 and in the Ike & Tina Turner Revue at 15[3] – the first-ever white Ikette “for three days in a black wig and Man Tan skin darkener.”[4] She moved to Los Angeles in 1967, and met and married Delaney later that year.

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“Dancing in the Moonlight lyrics”

“Dancing in the Moonlight lyrics”

Toploader are an English alternative rock band from Eastbourne who formed in 1997, with over two million album sales to their name and a string of top 20 hits both home and abroad. Their debut album, Onka’s Big Moka, sold over one million units and remained in the Top 5 of the UK Albums Chart for over six months. However, they are recognised most of all for their cover of King Harvest’s US hit “Dancing in the Moonlight” written by Sherman Kelly, which became a global hit for the band. Their second album, Magic Hotel, reached number 3 in the UK Albums Chart. Their third album was released in 2012, their comeback single “Turn It Around” was released in 2013.

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