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America On Coffee is a blogging network dedicated to the preservation of the U.S.A.'s culture, heritage and traditions. The simple things of life are what we share best. Great coffee, wholesome people, make it all the better. For immediate contact with America On Coffee, leave a 'NOT-TO-BE-PUBLISHED' blog comment or an 'America On Coffee' Facebook page message at:

“Neil Diamond Cracklin Rosie 1970”

“Neil Diamond Cracklin Rosie 1970”

Cracklin’ Rosie” is a song written and recorded by Neil Diamond in 1970, with instrumental backing by L.A. sessions musicians from the Wrecking Crew, from his album Tap Root Manuscript. In October 1970, the song became Diamond’s first American #1 hit on The Billboard Hot 100, and his third to sell a million copies. It was his breakthrough single on the UK Singles Chart, reaching #3 for four weeks in November and December. Billboard ranked the record as the No. 17 song of 1970. It also reached #2 on both the Australian Singles Chart and the Irish Singles Chart. Its best performance was in New Zealand where it stayed at number one for 5 weeks at the end of the year.


Posted by on TueAmerica/Los_Angeles2018-06-19T10:59:37+00:00America/Los_Angeles06bAmerica/Los_AngelesTue, 19 Jun 2018 10:59:37 +0000 31, in music


“Bob Seger – If I Were A Carpenter”

“Bob Seger – If I Were A Carpenter”

If I Were a Carpenter” is a song written by Tim Hardin. Hardin’s own recording of the piece appeared on his 1967 album Tim Hardin 2. It was one of two songs from that release (the other being “‘Misty Roses“) performed by Hardin at Woodstock

Cover versions
In 1966, it was a Top Ten hit for Bobby Darin, reaching number 8 on the Billboard Hot 100.[2] Bobby Darin also had an album If I Were A Carpenter, which contained the song.

  • In 1967 Joan Baez covered a gender-reversed version on her album Joan, initially renamed If You Were a Carpenterthough later compilations reverted to the original title.[3]
  • In 1968, The Four Tops hit the Top 20 on both the pop and soul charts with their version.[4] It also reached number eight in the UK charts in 1968 staying in the charts for 11 weeks.[5] It reached number four in the Netherlands.[6]
  • In 1970 a duet by Johnny Cash and June Carter went to number 2 on the country chart.[7]
  • In 1972, a cover by Bob Segerreached number 76 on the Billboard Hot 100.[8] The single was released from his album Smokin’ O.P.’s.[9]
  • According to the Discogs encyclopedia the song appears on 2287 singles, LPs or CDs. [10]

    Posted by on TueAmerica/Los_Angeles2018-06-19T10:48:05+00:00America/Los_Angeles06bAmerica/Los_AngelesTue, 19 Jun 2018 10:48:05 +0000 31, in American music artists, classic music, male vocalist


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    “You Inspire Me” Engelbert Humperdinck

    Engelbert Humperdinck (born Arnold George Dorsey; 2 May 1936) is an English pop singer. Humperdinck has been described as “one of the finest middle-of-the-road balladeers around.”[1] His singles “Release Me” and “The Last Waltz” both topped the UK music charts in 1967, and sold more than a million copies each.[2] In North America, he also had chart successes with “After the Lovin'” (1976) and “This Moment in Time” (1979). He has sold more than 150 million records worldwide.[citation needed]

    Engelbert Humperdinck
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    Posted by on TueAmerica/Los_Angeles2018-06-19T10:35:30+00:00America/Los_Angeles06bAmerica/Los_AngelesTue, 19 Jun 2018 10:35:30 +0000 31, in pop music, reflections, uk


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    “Blood, Sweat & Tears – Spinning Wheel (album version)”


    “Spinning Wheel” is the title of a popular song from 1969 by the band Blood, Sweat & Tears. The song was written by the band’s Canadian lead vocalist David Clayton-Thomas and appears on their self-titled album.

    Released as a single in 1969, “Spinning Wheel” peaked at number two on the Billboard Hot 100 chart in July of that year, remaining in the runner-up position for three weeks.[1] In August of that year, the song topped the Billboard easy listening chart for two weeks.[2] It was also a crossover hit, reaching #45 on the US R&B chart.

    “Spinning Wheel” was nominated for three Grammy Awards at the 1970 ceremony, winning in the category Best Instrumental Arrangement. The arranger for the song was the band’s saxophonist, Fred Lipsius. It was nominated for Record of the Year and Song of the Year; the album won the Grammy for Album of the Year.

    Clayton-Thomas was quoted as describing the song as being “written in an age when psychedelic imagery was all over lyrics…it was my way of saying, ‘Don’t get too caught up, because everything comes full circle’.”[2]

    The song ends with the 1815 Austrian tune “O Du Lieber Augustin” (“The More We Get Together” or “Did You Ever See a Lassie?”)[citation needed] and drummer Bobby Colomby’s comment: “That wasn’t too good”, followed by laughter from the rest of the group. According to producer James William Guercio this section was added in at the last minute after the end of the master tape was recorded over accidentally by an engineer at the studio. Most of this section and the trumpet solo were edited out for the single version. The eight-bar piano solo which precedes the trumpet solo on the album version is overlapped with guitar on the single version before the last verse.

    Among artists who have covered “Spinning Wheel” are Shirley Bassey, who included the song on her 1970 album Something, and Nancy Wilson, who covered it in the Hawaii Five-O episode “Trouble in Mind,” which originally aired September 23, 1970. In 1970 Marianne Mendt released a version of the tune in Austria, as “A g’scheckert’s Hutschpferd” and Barbara Eden performed a live version [3] that aired in the U.S. Jazz organist Dr. Lonnie Smith recorded an extended instrumental version for his 1970 Blue Note album Drives.[4] James Brown scored a minor hit in 1971 with an instrumental version of the song, reaching #90 on the Billboard Hot 100.[5][6] The Canadian a cappella music group, Cadence also covered this song. In 1970 P.P. Arnold recorded a version produced by Barry Gibb but it was not released. An instrumental rendition of this song was used as a cue on the first Wheel of Fortune pilot titled Shopper’s Bazaar.


    Posted by on TueAmerica/Los_Angeles2018-06-19T10:21:04+00:00America/Los_Angeles06bAmerica/Los_AngelesTue, 19 Jun 2018 10:21:04 +0000 31, in male vocal group, pop music


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    “Shark Tunnel at Aquarium of the Bay in San Francisco” 

    The aquarium was originally scheduled to be opened in the summer of 1988, but construction on the aquarium was delayed due to protests from merchants on Fisherman’s Wharf and San Francisco Bay environmental groups, and ground was not broken until July 1995.[4] Specific objections included the amount of fill required (an additional 24,000 square feet (2,200 m2) would need to be reclaimed from the Bay) and a potential violation of the city’s 1990 Proposition H, which prohibits nonmaritime use of waterfront property.[5][6][7] The aquarium was privately owned by a partnership of Questar of New Zealand, Aquabay Inc., and Pedersen Associates (The Chronicle Publishing Company, which owned the San Francisco Chronicle, was a minority partner in Pedersen).[4]

    Original estimates for attendance in the final environmental impact report ranged up to 28,000 daily visitors on the weekend in its inaugural year, and the aquarium was forced to limit attendance to no more than 12,600 visitors per day to gain approval. Some of the conditions imposed by the Bay Conservation and Development Commission when it issued the permits included requirements to use only species found in San Francisco Bay and to provide educational and outreach programs.. In addition, the aquarium was forced to rent overflow parking spaces at Levi’s Plaza and pay subsidies to Muni to fund additional buses to Pier 39 to handle the expected crowds. Together, these traffic abatement measures would cost the aquarium US$100,000 (equivalent to $156,000 in 2017) in 1996. In addition, the California Academy of Sciences (CAS) was to receive annual payments of US$200,000(equivalent to $305,000 in 2017) for eight years, starting in 1997, to compensate for the projected decrease in visitors to Steinhart Aquarium, but the payments were never made. Willie Brown was involved in the negotiations leading to the annual payments.



    Posted by on TueAmerica/Los_Angeles2018-06-19T10:00:11+00:00America/Los_Angeles06bAmerica/Los_AngelesTue, 19 Jun 2018 10:00:11 +0000 31, in entertainment, Monday Madness



    “Van Morrison – Brown Eyed Girl (Original Version)”

    “Van Morrison – Brown Eyed Girl (Original Version)”

    Sir George Ivan “Van” Morrison, OBE[1] (born 31 August 1945) is a Northern Irish singer-songwriter and musician. Some of his recordings, such as the studio albums Astral Weeks and Moondance and the live album It’s Too Late to Stop Now, are critically acclaimed. He has received six Grammy Awards, the 1994 Brit Award for Outstanding Contribution to Music, and has been inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In 2015 he was knighted for his services to popular music.

    Known as “Van the Man” to his fans, Morrison started his professional career when, as a teenager in the late 1950s, he played a variety of instruments including guitar, harmonica, keyboards and saxophone for various Irish showbands covering the popular hits of the day. He rose to prominence in the mid-1960s as the lead singer of the Northern Irish R&B band Them, with whom he recorded the garage band classic “Gloria”. His solo career began under the pop-hit oriented guidance of Bert Berns with the release of the hit single “Brown Eyed Girl” in 1967. After Berns’ death, Warner Bros. Records bought out his contract and allowed him three sessions to record Astral Weeks in 1968.[2] Even though this album would gradually garner high praise, it was initially a poor seller; however, the next one, Moondance, established Morrison as a major artist,[3] and throughout the 1970s he built on his reputation with a series of critically acclaimed albums and live performances. Morrison continues to record and tour, producing albums and live performances that sell well and are generally warmly received, sometimes collaborating with other artists, such as Georgie Fame and the Chieftains. In 2008 he performed Astral Weeks live for the first time since 1968.

    Much of Morrison’s music is structured around the conventions of soul music and R&B, such as the popular singles “Brown Eyed Girl”, “Jackie Wilson Said (I’m in Heaven When You Smile)”, “Domino” and “Wild Night”. An equal part of his catalogue consists of lengthy, loosely connected, spiritually inspired musical journeys that show the influence of Celtic tradition, jazz, and stream-of-consciousness narrative, such as Astral Weeks and lesser-known works such as Veedon Fleece and Common One.[4][5] The two strains together are sometimes referred to as “Celtic Soul”.[6]


    Posted by on TueAmerica/Los_Angeles2018-06-19T10:00:00+00:00America/Los_Angeles06bAmerica/Los_AngelesTue, 19 Jun 2018 10:00:00 +0000 31, in pop music, r&b


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     “Aerosmith Walk This Way Lyrics” 

     “Aerosmith Walk This Way Lyrics” 

    Walk This Way” is a song by the American hard rock band Aerosmith. Written by Steven Tyler and Joe Perry, the song was originally released as the second single from the 1975 album Toys in the Attic. It peaked at number 10 on the Billboard Hot 100 in early 1977, part of a string of successful hit singles for the band in the 1970s. In addition to being one of the songs that helped break Aerosmith into the mainstream in the 1970s, it also helped revitalize their career in the 1980s when it was covered by rappers Run–D.M.C. on their 1986 album Raising Hell. This cover was a touchstone for the new musical subgenre of rap rock, or the melding of rock and hip hop. It became an international hit and won both groups a Soul Train Music Award for Best Rap – Single in 1987.

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    Posted by on TueAmerica/Los_Angeles2018-06-19T09:59:00+00:00America/Los_Angeles06bAmerica/Los_AngelesTue, 19 Jun 2018 09:59:00 +0000 31, in music



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