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Big Girls Don’t Cry” is a song written by Bob Crewe and Bob Gaudio and originally recorded by The Four Seasons. It hit number one on the Billboard Hot 100 on November 17, 1962, and, like its predecessor “Sherry,” spent five weeks in the top position but never ranked in the Billboard year-end charts of 1962 or 1963. The song also made it to number one, for three weeks, on Billboard‘s Rhythm and Bluessurvey.
According to Gaudio, he was dozing off while watching the John Payne/Rhonda Fleming/Ronald Reagan movie Tennessee’s Partner (1955) when he heard Payne’s character slap Fleming in the face. After the slap, Fleming’s character replied, “Big girls don’t cry.” Gaudio wrote the line on a scrap of paper, fell asleep, and wrote the song the next morning.
However, the now-famous line does not appear in the Ronald Reagan film. According to Bob Crewe, he himself was dozing off in his Manhattan home with the television on when he awoke to see John Payne manhandling Rhonda Fleming in Slightly Scarlet, a 1956 film noir based on a James M. Cain story. The line is heard in that film.
Like “Sherry,” the lead in “Big Girls Don’t Cry” is sung mostly in falsetto. With this song, the Four Seasons became the first rock-era act to hit the top spot on the Hot 100 with their first two chart entries (their first single, “Bermuda”/”Spanish Lace,” did not appear on any Billboard chart in 1961).
Various episodes of Happy Days feature this song, most notably when it is played in the jukebox at Arnold’s diner. It was also used, with customized lyrics sung by the Four Seasons themselves, as the theme song to Joey Reynolds’s various radio programs throughout the United States.
Blue Man Group is a performance artcompany formed in 1991. It is best known for its stage productions around the world. It combines many different categories of music and art, both popular and obscure in these shows.
Blue Man Group
Blue Man Group currently has continuing theatrical productions in Las Vegas, Orlando, Boston, Chicago, New York Cityand Berlin. In addition to the stage theatre show, Blue Man Group has toured the globe with multiple national and global tours; been a guest on various TV programs as both characters and performers; appeared on the Norwegian Cruise Line ship, Epic; released multiple studio albums; contributed to a number of film scores; performed with orchestras around the US, and appeared in advertising campaigns. Blue Man Group was referenced in a story line of the TV series Arrested Development.
In July 2017, Cirque de Soleil purchased the Blue Man Productions for an undisclosed sum. Cirque announced plans to expand Blue Man Group globally and diversify the live entertainment production.
Blue Man Group grew out of a collaboration between three close friends, Chris Wink, Matt Goldman and Phil Stanton, on Manhattan’s Lower East Side in 1988. It originated as a celebration to the end of the 1980s. The three men wore blue masks and led a procession that included the burning of a Rambo doll and a piece of the Berlin Wall. The stunt caught the attention of MTV’s Kurt Loder, who covered the event, and the strange Blue Men gained attention. The Blue Man character emerged from small “disturbances” on the streets of the city, growing into small shows at downtown clubs, eventually becoming a full performance at the Astor Place Theatre in 1991.
In July 2017, it was announced Blue Man Group was bought by Cirque Du Soleil who announced they would expand.
“Don’t Worry Baby” is a song written by Brian Wilson and Roger Christian, produced by Wilson and first recorded by the American rock band, the Beach Boys. The band’s version, a tender ballad with falsetto lead vocal by Wilson, was first released on their 1964 album Shut Down Volume 2 .
Maybe I’m Amazed” is a song written by Paul McCartney that was first released on his 1970 album McCartney. McCartney dedicated the song to his wife, Linda, who had helped him get through the break-up of the Beatles.
Although the original recording has never been released as a single, a live performance by McCartney’s later band Wings, from the live album Wings over America, was. This version became a top-ten hit in the United States and reached number 28 in the United Kingdom.